First Thursday Opening Reception: October 2, 5-8pm
Artist Talks with Ruri, Satoko, Kane Ikeda, and Philip Stork: Sunday October 12th at 2:00 pm.
October 1 - November 1 — MAIN GALLERY
Destruction • Rejuvenation • Harmony
— Ruri and Satoko Motouji —
Ruri, Caminamos Andando, Mixed media with fired handformed clay, laminated carved cedar, 19 x 15 x 6”
Meditating on cyclical aspects of creation and dissolution in the natural world, Destruction • Rejuvenation • Harmony, brings together clay and mixed media sculptures by Ruri and abstract sumi ink paintings by Satoko Motouji.
Inspired by the wild forces of Nature and our parallel personal transformations, Ruri and Motouji seek out a harmony between both their work and the forces themselves. For Motouji, imbalances in nature caused by climate change are a catalyst for her art, which contrasts vast and pristine tracts of nature with the destructive results of wildfires. For Ruri transformations found in nature, including fire and decay, are a part of a rebirth that is simultaneously personal and universal.
This elemental balance is reflected thematically, but also through the artists’ choice of materials. For Motouji the traditional sumi ink she uses is formed from soot, and her two-dimensional works are accompanied by installations of burnt paintings and photographs of nature. In Ruri’s work, hand formed clay is fired both in wood burning kilns and atmospheric kilns like anagama. Ruri’s synthesis of natural elements involves wood, fire, water, earth, air, and aether, and transforms clay into art that embody the interrelatedness and unity of her intent.
Despite challenging themes surrounding fire and anthropogenic climate change, as Destruction • Rejuvenation • Harmony moves towards its final theme of harmony, an unmistakable hope emerges. As Ruri and Motouji explore the cycles of nature, they remind us that regeneration is as unavoidable as destruction.
Satoko Motouji, Fluidity #1, Sumi ink, 30” x 38”
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GALLERY 2
Rhythm of Nature
— Kane Ikeda —
Born out of a series of vivid cosmological dreams, Ikeda’s “Cosmic Tree” has inspired him to create installations, paintings, drawings, and poetry for over 30 years.
In Rhythm of Nature Ikeda’s motif evolves into swirling compositions that merge emotion, form, and color as they describe the cosmic movements that pattern the natural world. Kaleidoscopic and ever-changing, Ikeda visualizes living natural energy in vivid abstractions of acrylic ink.
Though many of Ikeda’s works represent time compositionally, as a horizontal movement from left to right, others form wild spirals. There is a musicality to many of the works, while others exude the quiet, emotive presence of the universe.
Kanetaka Ikeda, Rhythm of Cosmos, 2025
Mix media wall installation, Variable size

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JAMES HIBBARD GALLERY
Reflections
— Philip Stork —
Captured through the rippled glass of timeworn windowpanes in Old Town, Portland, these photographs show the reflections of surrounding buildings, streets, and signs—urban details rendered abstract by vintage glass.
The images in this exhibition by Philip Stork invite the viewer to see these reflections not as distortions, but as fantastical and imaginative views of the world around us. The result transforms ordinary street scenes into dreamlike compositions; a glimpse into a parallel version of the familiar.
Now boarded up, the original windows, and the reflective views they once offered, have disappeared. These photographs preserve a fleeting alternate perspective, encouraging us to appreciate the ephemeral magic found in the overlooked corners of the urban landscape.
Philip Stork, Harbor, 2025, Photograph on Coldpress paper, 40" x30"






