CURRENT EXHIBITION, MAY 2025
EXHIBITION PREVIEW
MAIN GALLERY
Angennette Escobar
Cuentos, Casas y Vestidos
In Cuentos, Casas y Vestidos, Mitchell and Escobar pay homage to the matriarchs of their families through storytelling, concepts of home, and dresses. With installations and mixed media works, the artists explore themes of language, hope, history, and dreams.
Drawing upon her upbringing for conceptual inspiration, Escobar’s art is a deeply personal exploration of her Mexican Catholic heritage. Escobar’s work often includes Mexican religious iconography, specifically Milagros (small metal charms that represent miracles) and uses symbolism and surrealism to depict ideas from Mexican folk art as a way to channel memories of place and time.










EXHIBITION PREVIEW
MAIN GALLERY
Monica Mitchell
Cuentos, Casas y Vestidos 2
Mitchell’s formal art-making practice is an exploration of traditional materials and techniques interwoven with objects and ideas from her environment. Mitchell finds inspiration from sources that include mythology, art history, gender, workplace, masquerade, music, literature, language and consumerism.










EXHIBITION PREVIEW
GALLERY 2
Eddie Reed
Malgré Tout
Grounded in social engagement, place-based storytelling, and environmental justice, Reed’s new show Malgré Tout (Despite Everything) works to engage audience members as active thinkers and engaged observers. Confronting underlying realities about America’s contradictory moods, Reed pushes viewers to reconsider conventional assumptions about beauty, taste, race, and power.
Known for his provocative large scale paintings examining American social constructs, Eddie Reed’s work draws on his experience as part of the civil rights movement, and aims to embody the role of artist as activist.










EXHIBITION PREVIEW
JAMES HIBBARD GALLERY
Barbara Black
Now and Then
In her new show Then and Now founding Blackfish Gallery member, Barbara Black exhibits a selection of new and past paintings emblematic of her fusion of abstraction and representation. Black’s work relies on unexpected compositional structures and imagery which emerges of its own volition to form patterns, improbable landscapes, or human and animal figures.
During creation, Black pushes forms, colors, and shapes until meaning and congruency emerge out of initial abstraction. This process infuses Black’s work with a sense of mystery, as the intricate dance between imagery and the consideration of formal needs produces innovative solutions.

















